1953 - 55 Royal Military Academy, Sandhurst
1955 - 60 Royal Northumberland Fusiliers
1960 - 64 St. Martin's School of Art, London
1964 - 69 Lived and worked in New York
1965 Artist in residence at the Aspen Institute for Humanistic Studies, Colorado
1969 - 1970 Rebuilt Kinkell Castle, Ross & Cromarty, Scotland. Civic Trust Award
1970 Established Tapestry Workshop at Kinkell Castle, which operated until 1974
1975 -1972 Artist in Residence at the Aspen Centre for the Visual Arts, Colorado
1976-77 Visiting Professor of Painting and Sculpture at the University of New Mexico, Albuquerque.
1978 Established bronze foundry at Kinkell Castle with assistance of the late George Mancini.
1983 - 84 Worked in Aspen, Colorado and Brixton, London.
1986 - 87 Taught sculpture at Columbia University, New York
1987 - 95 Royal Fine Art Commission for Scotland.
INDIVIDUAL EXHIBITIONS
1963 Laing Art Gallery, Newcastle-upon-Tyne
1964 Institute of Contemporary Art, London
Richard Feigen Gallery, Los Angeles
Feigen Palmer Gallery, Los Angeles
1965 Richard Feigen Gallery, New York
Richard Feigen Gallery, Chicago
1966 Richard Feigen Gallery, New York
Kornblee Gallery, New York(Hybrid - a project with Peter Philips)
1967 Richard Feigen Gallery, New York
1969 Richard Feigen Gallery, New York
Gallerie M.E. Thelen, Essen Pennsylvania State Uiniversity
1970 Richard Feigen Gallery, Chicago
Richard Demarco Gallery, Edinburgh
1971 Multiples Gallery, New York
Scottish National Gallery of Modern Art, Edinburgh
Cincinnati Center for Contemporary Art, Ohio
Aspen Institute for Hymanistic Studies, Colorado
1973 Arthur Tooth & Sons, London
University of New Mexico Art Museum, Allbuquerque
1977 Max Hutchinson Gallery, New York
1978 Gladsone Court, Edinburgh Festival
1979 Max Hutchinson Gallery, Houston
Max Hutchinson Gallery, New York
1980 Scottish Gallery, Edinburgh
1981 Gallery Camino Real, Boca Raton
1982 Bacardi Gallery, Miami
1983 Herbert Art Gallery, Coventry
Joanne Lyon Gallery, Aspen
1987 Albert Totah Gallery, New York
1989 Scottish Gallery, London
Fruitmarket Gallery, Edinburgh
1993 Independent Gallery, London
Harris Gallery, Houston
1994 Thomas Gibson Fine Art, London
1996 Whitford Fine Art, London
1999 The Fine Art Society, London
2000 Fine Art Society (Graphics)
MAJOR PUBLIC COMMISSIONS
1971 Callanish at Strathclyde University, Glasgow
1979 The Frieze of the Wise and Foolish Virgins, Edinburgh
1981 The Fountain of Sabrina, Broad Quay House, Bristol
1989 The Conan Doyle Memorial, Picard Place, Edinburgh
1990 Axis Mundi, Tanfield House, Edinburgh
1994 Ten Dragons, Bank Underground Stations, London
1995 Four Rugby Players, Twickenham Stadium, Middlesex
1996 Portrait Bust of Sir Paul Getty KBE, The National Gallery, Trafalgar Square
1997 The Wormsley Cricketer
1999 Fire Icon, Bluewater, Dartford, Kent
1999 The Glass Virgins, Edinburgh
2000 The Sundial, Wormsley, Buckinghamshire
2001 The Batsman, MCC, Lord's Ground, London
2001 Glengarry Memorial, Armdale, Skye
2003 Falcon Square Mercat Cross, Inverness
Gerald Laing, Kinkell: The Reconstruction of a Scottish Castle,
DMT 42 (with Galina Golikova), 1967, pub. Editions Domberger, Stuttgart
Duke City Realty (with Galina Golikova), 1973, pub Tamarind Lithography Workshop, Albequerque, NM
Latimer New Dimensions, London. 1974: and Arduille House, Scotland, 1985
BIBLIOGRAPHY
Aaron Scharf, Creative Photography, ed. John Lewis, Studio Vista, London, 1965
Mario Amaya, Pop as Art, Studio Vista, London, 1965
Lucy Lippard, Pop Art, Frederick A. Prager, New York, 1966
Aldo Pellegrini, New Tendencies in Art, Crown Publishing Company, New York, 1966
Alan Weller, Contemporary American Painting and Sculpture, University of Illinois, Urbana, 1967
Sandra Pinto and Pio Manzu, Nuove Tecniche D'Immagine, Alfieri edizioni d'Arte, Venice, 1967
Christopher Finch, Image as Language, Penguin, London, 1969
Alastair Mackintosh, Gerald Laing Retrospective, SNGMA, Edinburgh, 1971
William Peterson, Artspace - Southwestern Contemporary Arts Quarterly, Artspace, Albuquerque, 1976-77
Michael Compton, Pop Art, Hamlyn Publishing Group, London and New York, 1970
Denise Scott Brown, Robert Venturi and John McCoubrey, The Highway, ed. Stephen S. Prokopoff, Institute of Contemporary Arts, University of Pennsylvania, Philadelphia, 1970
Edward Lucie Smith, Art Now, eds Mariella de Battisti and Marisa Mellis, William Morrow & Co. Inc.. New York, 1977
Douglas Hall, Sculpture at the Edinburgh Festival 1978, Gerald Laing, Kinkell, 1978
Gerald Laing, Gerald Laing: Paintings and Sculpture 1963-83. ed. P.A.E. Day, Herbert Art Gallery, Coventry, 1983
W.I. Strachan, Open Air Sculpture in Britain, A. Zwemmer Ltd in assoc. with Tate Gallery Publications, London, 1984
The Tate Gallery Illustrated Catalogue of Acquisitions 1982-84, Trustees of the Tate Gallery, London, 1986
Babette Peters, Produktionsasthetische Probleme zeit genossicher schottischer Bildhauerei, ed. Peter Lang, Frankfurtam-Maine, 1986
Marco Livingstone, Pop Art: A Continuing History, Thames and Hudson, London, 1990
Wendy Kaplan (ed.), Scotland Creates: 5000 Years of Art and Design, Weidenfeld and Nicholson et al. London, 1990
Fiona Pearson (ed.), Virtue and Vision: Sculpture and Scotland, 1540-1990, National Galleries of Scotland, Edinburgh, 1991
David Mellor, The Sixties Art Scene in London, Phaidon Press in assoc. with Barbican Art Galleries, London 1990
Eugene Rosenberg, Architect's Choice - Art in Architecture in Great Britain since 1945, Thomas & Hudson 1992
Laurent Gervereau and David Mellor, 'les Sixties' Musee D'Histoire Contemporain, Paris, 1996
Ed. Francisco Capelo, 'The Berardo Collection' Sintra Museum of Modern Art Portugal, 1996
Cultural Offensive. John A Walker, Pluto Press, 1998
Pop Art US/UK Connections 1956-1966. David Brauer, Jim Edwards and others. Menil Collection, Houston 2001, pub. Hatje Cantz
Pop Impressions Europe/USA. Wendy Weitman, Museum of Modern Art, New York 2002, pub. Harry N Abrams
Art and Celebrity, John A Walker, Pluto Press 2003